Bass you can’t hear makes people dance 11.8% more, a concert study found
McMaster University scientists switched 8-37 Hz speakers on and off during an Orphx concert. Dancers moved 11.8% more with the bass on, without hearing it.
McMaster University scientists switched 8-37 Hz speakers on and off during an Orphx concert. Dancers moved 11.8% more with the bass on, without hearing it.
A Yamaha CS-80 listed as Vangelis’s first, used on his 1977 album Spiral, sold on Reverb for £401,465, about $534,000. The seller offered no proof.
Jean-Michel Jarre’s Oxygène, recorded in his Paris kitchen in 1976, returns on 20 November with a remaster from the original tapes and a new Dolby Atmos mix.
Michael Smith used up to 10,000 bot accounts to stream AI-generated songs billions of times. A Manhattan judge gave him 18 months and an $8.09m forfeiture.
Spotify pays no royalties on a track below 1,000 streams in a trailing year. Here is what the rule, its unique-listener test and its artificial-streaming fines mean for small labels.
Korg’s Phase8 skips oscillators and strikes eight tuned steel resonators with electromagnets instead. Here is how the $1,149.99 “acoustic synthesizer” works.
Kraftwerk sued over a 2-second Metall auf Metall sample in 1999. In September 2026, after 27 years and six BGH rulings, Germany’s top court ruled against them.
The Roland Jupiter-8 cost $5,295 in 1981. By December 2024 a mint original listed on Reverb for $27,996 instead. Who played it and what made it special.
Huey Lewis would not write a song called ‘Back to the Future’ in 1985. He wrote ‘The Power of Love’ instead, and it became his first US No. 1 hit that August.
Kavinsky released ‘Nightcall’ in 2010. Drive put it over its 2011 opening credits, the Paris 2024 Olympics revived it, and the track just turned 16.